And because of the heavier bracing, like the standard 00-21 this modified NY guitar can accommodate even medium gauge steel strings, rather than the Silk & Steel originally recommended for the NY by the factory it’s currently strung with Martin Authentic Phosphor Bronze Light gauge strings, which sound super. The luthier who modified the X-braced top used standard 00-21 scalloped 5/16” wide top bracing rather than the standard tapered 1/4” New Yorker bracing because of this scalloping to compensate for the heavier braces, the guitar still sounds like a 00-21NY should. However, in addition to these upgrades and repairs, this guitar probably at the same time had its top professionally or factory modified: the rosette is not the standard factory style 21 rosette, the guitar was apparently refinished to some degree, (the finish is a bit uneven in appearance around the neck heel and on the insides of the slots at the headstock), and there is a bit of crazing on the top and on the face of the headstock. The frets may have been redone at some point, because they are in excellent shape with virtually no wear. There’s a great neck angle, and the 12/19-fret mahogany neck itself is dead straight as is typical of this vintage, with steel T-bar reinforcement instead of a truss rod under the Brazilian Rosewood fingerboard.
The headstock has been professionally and almost invisibly repaired and will be sound for the rest of the guitar’s lifetime. It appears that some of the back braces were loose at some point and were re-glued due to a bit of glue staining beside small areas of the braces. There are no cracks on the sides and they still have their silk lining strips intact.
#1965 MARTIN GUITAR SERIAL NUMBERS CRACK#
There are only a few small dings in its finish, and while there is a repaired grain line crack on the back of the guitar about 14” long, it was repaired properly with 3 cleats on the inside of the guitar and the repair is not visible on the exterior of the back.
#1965 MARTIN GUITAR SERIAL NUMBERS SERIAL NUMBER#
The guitar originally had an end pin jack, but a wood dowel has since then been installed and then drilled out to receive a new Ebony end pin.Ĭosmetically, it’s also in excellent shape, considering that its serial number (205003) indicates it was made in 1965, the last year of the New York model. The guitar has the original Brazilian Rosewood bridge that has never been sanded down, but the plastic bridge pins and end pin have been upgraded to Ebony. 1833” decal, and the usual factory 3-on-a-plate tuners have been upgraded to something like Golden Age tuners (the nut also may have been replaced). The double bound body features cool tortoise plastic binding, the slotted headstock features the Brazilian Rosewood headstock overlay displaying the smaller “C F Martin & Co, Est. The modified neck profile is a fast and comfortable low oval, which is good because you won’t want to put it down for hours. Naturally, the 00 body dimensions are somewhat smaller than those of dreadnoughts: it has an unmarked 12/19-fret Brazilian Rosewood fingerboard (but it has small white dots in 7 positions on the bass edge), an over-all length of 38 5/8”, a 9 7/8” upper bout, a waist of 8 ½”, a lower bout width of 14 5/16”, a depth of 4 1/8”, a body length of 18 7/8”, and a string spread at the Brazilian Rosewood bridge of 2 5/16”. However, the Martin ads clearly stated they were for steel or nylon strings, usually shipped them with silk and steel strings, and obviously the old-style small straight bridges had end pins.Īside from style, the Martin 00-21NY has three important features that fingerstyle players particularly enjoy: the wider 1.78” nut width, the shorter 24.9” scale allowed by the 12 frets, and the small, rectangular rosewood bridge plate which lets the top resonate more freely. By today’s standards the NY models weren’t much like the old Martins with the New York stamp, but with slotted headstocks, no fretboard dots, and no pickguard many early customers assumed they were exclusively nylon-string guitars. Until this time, the standard 00-21 (with fretboard dots and a pickguard) had been the only 12-fret, slotted headstock model to bridge the gap between the original 19th-century Martin guitar and its highly evolved namesake. Made only 5 years, between 19, Martin built a total of 906 of these 00-21NY models, with 275 made during the peak year of 1964.
The guitar has the warm tone you’d expect, but with great projection and volume for a Martin parlor-size guitar. This is a 1965 Martin 00-21NY with some of the most striking Brazilian Rosewood back & sides you’ll see in this vintage.
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